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Science Fiction: Tool of Social Critique
Jaws and the Male Gaze: What Defines Masculinity?
Reading Spike Lee as Antifeminist
Two For The Price of One: The Double Openings in Spike Lee’s Films
Everybody “SCREAM!” Reflexive Parody as a Means of Genre Study
“Get on the Bus:” A Critical Review
Michael Epp and Spike Lee’s “Bamboozled”
Menace II Society, Clockers, and the Subversion of the “Hood” Genre
Ralph Bakshi: The Animated Filmmaker I Hate to Love
The Godfather and Parallel Editing: Baptism & Murder
Ray’s Thematic Paradigm Revisited: Nontraditional Superhero Films
Sirkian Melodrama and the Mother-Daughter Relationship: a Study of “Imitation of Life”
Trey Parker, Verisimilitude, and “Orgazmo”
Batman and the Thematic Paradigm
How the Sirkian Ending Challenges Gender Roles
The “Funny Games” Hollywood Plays
From “Old” to “Now” – The Three Cycles of Film Parody
Film as A Marketing Device
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